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RESOLUTION

>>>>images in relation to their online circulation >>>

Onomatopee 189

RESOLUTION is a new print magazine that tackles images in relation to their online circulation. 

From a multiverse of images, RESOLUTION magazine persistently engages with one guiding question: how do digital images format reality? In order to examine digital images in relation to their online presence, RESOLUTION wagers an implausible attempt to trap them in printed form. The magazine acts as a dissecting table for analyzing digital images cut loose from big and small screens, taken out of their “native” circulation.

RESOLUTION explores contemporary visual economies through interviews, historical texts, recent research, artistic propositions and artists’ editions.

 

 

Agenda

Publication

Onomatopee 189.1, Laurens Otto, 2019

RESOLUTION magazine #0: The Pixel

€ 10

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RESOLUTION #0: The Pixel
This issue of RESOLUTION looks at the most elementary building block of a digital image. It is nerdy, utterly unsexy, but nevertheless has remained enigmatic. This issue looks at pixel from a technical, ethical, artistic, and and economic viewpoint.

list of contributors: Jonas Beerts, Doris Boerman, Caszimir Cleutjens, David Denil, Elias Heuninck, Kyveli Lignou-Tsamantani,
Lev Manovich, Giacomo Mercuriali, William J. Mitchell, Alvy Ray Smith

Essays:

  • Giacomo Mercuriali discusses how computer-generated pictures, such as appeared to defame Jamel Kashoggi, rely on the same ideas of veracity as in traditional photography.
  • Kyveli Lignou-Tsamantani looks at the relationship between pixelisation, atrocity images and spectatorship through the work what remains by belit sağ, offering an ethical reading of the use of pixels.
  • Alvy Ray Smith, co-founder of Pixar Studios, has given permission to republish his memo that technically lays out what a pixel is. He is currently working on the Biography of the Pixel, which is now seven years in the making.
  • The section “Devices” enters the discussion about the pixel from the viewpoint of a camera, the Digital Bolex. Caszimir Cleutjens discusses this spastically anachronistic device with filmmaker Tanguy De Donder, who used the camera for his film Je suis un Monstre.
  • The section “Debates” restages a timely debate. Caszimir Cleutjens has put Lev Manovich and William J. Mitchell in a direct confrontation regarding the question if digital images are fundamentally different from traditional photography.

Artist’s contributions:

  • The Unregistered Image by David Denil consists of screenshots of images that the artists’ iPhone automatically registered. Blurry as they are, these images stand for the opposite of what would be considered a “powerful” image in the traditional sense of “conventional” social documentary photography.
  • In Paper Trails by Jonas Beerts, we see excerpts from a single edition book in which the artist dissects the architecture of digital imagery in general and specifically the pixel from within the confines of his bedroom.
  • The project Lightkeeping by Elias Heuninck is made with rudimentary digital camera, with a resolution of only one pixel. It shoots a pulse of laser light to determine the distance from the camera to the scene. As Heuninck says: “Whereas the conventional camera is a darkroom that captures light, this camera is more like a lighthouse.”
  • Visual artist Doris Boerman has created the multiple Screen 08, which is sold with the issue in an edition of 50.

 

Type
softcover
Dimensions
170 x 267 mm / 6.7 x 10.5 inches (portrait)
Pages
96
ISBN
978-94-93148-19-2
Editor
Laurens Otto (Editor) and Jochem van Laarhoven (image editor)
Author
Jonas Beerts, Doris Boerman, Caszimir Cleutjens, Tanguy De Donder, David Denil, Elias Heuninck, Kyveli Lignou-Tsamantani, Lev Manovich, Giacomo Mercuriali, William J. Mitchell, belit sağ, Alvy Ray Smith
Graphic
D-E-A-L
Language
English
Release date
20/10/2019
Binding
glued
Paper
Carton Spendorlux Métal Argento 250 gr (cover), woodfree 90 grams (inside)
Edition
700
Color
full color, PMS 000016 (silver metal)
Printer
Graphius, Beersel (BE)
Made possible by
KASK - School of Arts Ghent, Mondriaan Fonds, Fonds Kwadraat and the Creative Industries Fund.
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