NETWORK
Exhibitions
Onomatopee 109.3 / Cabinet / Aug 25 - Sep 30, 2018
There is Nothing Connected, Nothing Distinct
Esther Venrooy
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Onomatopee 151 / Research / Apr 22 - Jul 27, 2018
The Trouble with Value
Kris Dittel (curator)
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Onomatopee 141 / Cabinet / Apr 7 - May 20, 2018
The Standard Book of Noun-Verb Exhibition Grammar
Niekolaas Johannes Lekkerkerk / The Office for Curating
view project
Onomatopee 156 / Cabinet / Feb 3 - Apr 15, 2018
THE TRUE MEANING OF S.M.H.
metal motherhood
Grete Johanne Neseblod
Onomatopee 150.4 / Nest / Dec 16 - Mar 25, 2018
People are nowhere near so fluid
Sense & Sensibility 4: Janina Frye
Hello world!
Onomatopee 153 / Cabinet / December 9, 2017
Porno-graphing
what do ’dirty’ subjectivities do to art?
AnnaMaria Pinaka
Onomatopee 150.3 / Nest / Nov 9 - Dec 10, 2017
Bureau Just
Sense & Sensibility 3: Agency for Feminist Practices.
Hello world!
Onomatopee 150 / Nest / Oct 21 - Mar 9, 2018
SENSE & SENSIBILITY
What a girl wants – what a girl needs
Pernilla Ellens (curator)
Onomatopee 150.2 / Nest / Sep 28 - Oct 29, 2017
“__________________”
Sense & Sensibility #2 – Gabriel A. Maher, Roberto Pèrez Gayo, Carly Rose Bedford
Hello world!
Onomatopee 150.1 / Nest / Sep 2 - Mar 3, 2018
The Girls’ Room
Sense & Sensibility #1 – Mandy Roos
Hello world!
Onomatopee Z0003 / Nest / September 2 - 30, 2017
“I read the comments. I shouldn’t have read the comments, why do I read the comments”
Hello world!
view project
Onomatopee 137 / Cabinet, Nest / May 27 - Jul 30, 2017
Post-Butt
The power of the image
Onomatopee Z0001 / Cabinet / March 2, 2017
An illustrated guide to capitalism
Hello world!
view project
Onomatopee 146 / Cabinet / Dec 5 - Feb 26, 2017
That What Makes Us Human
Marjolijn Dijkman
view project
Onomatopee 109.1 / Research / May 2 - 24, 2015
Can You Hear Me?
Music Labels by Visual Artists.
Onomatopee 0 / / June 5 - 15, 2014
THRILLING AUTONOMY
analogue perceptions of a parallel network
Hello world!
Publications
Onomatopee 137
Post-Butt (2nd print)
The power of the image (2nd edition)
Melani de Luca, Pernilla Ellens (Eds.)
