OPENING Marjolijn Dijkman: That What Makes Us Human
Saturday, December 3, 17:00
5/12/2016 - 26/02/2017
open Thursday-Sunday, 1-5PM
(winter break 22 Deecember - 1 January)
Even though when we look into outer space what we see are light sources, carriers of traces from the past, we associate outer space with the future. For instance in astrology, the movement of celestial bodies are believed to have an influence on the future development of life on earth, and throughout history flyby comets and falling stars are believed to have brought respectively disaster or opportunity.
This projection screen of human destiny has evolved into the ambition to conquer and colonize cosmic space, escaping possible disastrous developments on Earth. For many ‘visionaries’ the only way for humankind to survive is to expand human territories to the Universe.
In Marjolijn Dijkman’s film an asteroid, which embodies a potential threat for life on Earth, might as well become a prospect for the completion of the human desire to colonize space. The space-fiction animation presents us with the tension between these futuristic scenarios and evokes the human fear, curiosity and the ideological sources of such project. Besides these topics it circumnavigates an ancient fundamental human question: are we alone?
The accompanying multilingual narrative is a collection of quotations from various found sources, including science (astrophysics, cosmology, cognition) to spiritual approaches and historical resources, expressing curiosity and desire of space exploration, going back as far as 1500BC until today. The text is translated into Chinese and English accompanied with five other changing languages (Hindi, Arabic, Russian, Japanese and Spanish), all largely spoken official world languages and relating to countries involved in important space programs, astronomical projects, search for extraterrestrial intelligence and future asteroid mining. These texts often speak in ’the name of humanity’ in a quite conflicted way. The multiple languages enhance the suggestion of a universal voice and in the same time add another layer of complexity in the interpretation.
The object on display That What Makes Us Human is a 1:1 titanium 3D printed reproduction of a Canyon Diablo Meteorite, which fell on Earth 50.000 years ago. The meteorite fits perfectly in a human hand and resembles flint tools that prehistorical Paleolithic humans used around the time of the meteor’s impact. The object, which might been used as a weapon or a tool, signalizes the beginning of an era when human consciousness was evolving, eventually leading up to the development of technological devices that make a similar impact on earth as a meteorite. The titanium copy of the meteorite here rests on a silicone replica of a human hand – in times when humanity is able to create H-bombs, which may release larger forces than an impact of a meteorite. The sculpture is a speculative artefact dedicated to this evolution of technologies, and our quest for cosmic powers.
The work of Marjolijn Dijkman often uses tools of science fiction, taking upon scientific matters and bringing them into the realm of projection and speculation. Ranging from photographic archives and films, to landscape interventions and sculptural works, her practice concerns itself with futurology, history, museology, human geography and ecology. Her works have been shown in solo and group shows, including in London, Melbourne, Norwich, Birmingham, Bristol, Berkeley, Mexico City, The Hague, Barcelona, Tbilisi and the Marrakech, Mercosul and Sharjah biennales. Parallel to her exhibition at Onomatopee, she is one of the ’terminal artists’ of the 11th Shanghai Biennale.
Curated by Kris Dittel.
technical support: Guus van der Velden
production assistance: Pernilla Ellens
History Rising is an engaging study of museum display by artist Marjolijn Dijkman and curator Jes Fernie. Readers are invited to reconsider their view of history by looking at the mechanisms museums put in place to create a sense of order and hierarchy within their collections.
By distancing museum objects from their support structures History Rising forms a critique of the assumptions that are made about how things are positioned, who chooses to display them, and how the social, political and aesthetic choices that are made in the process dictate the language of display.
The book consists of visual and written essays, an interview between artist and curator, an inventory of works, and documentation of Dijkman’s installations in museums and galleries in the UK. The installations and sculptures propose strange and fantastical juxtapositions, alleviate objects from the weight of history and create links with modernism, the heritage industry and the aesthetics of sci-fi.
Design by Salome Schmucki
Hardcover, 96 pages
size: 285 x 250mm